Trypan blue (substance used in the laboratory to identify and separate live and dead cells and tissues.) and glacier water on paper

In the background, near the station, stood Mount Plymouth, which I photographed daily and then reproduced in paintings, each representing a day at the station along with notes on the weather conditions.

There are nods to the history of 19th-century landscape painting, referencing the expeditions to conquer the South Pole and the consolidation of the genre as a construction of an imaginary. However, the landscape genre is reinterpreted as an event based on the place where the gaze and the body occupy space, the relationship with my time and atmospheric time, the changes in climatic conditions, and highlighting the unstable nature of territorial representation, as well as the deep awareness of the transitory state of my stay at the station.